FVA 101. Introduction to Film (3;AR)
Three hours per
week. A seminar course that explores various aspects of filmmaking, which may
include script development, pre-production, film music, new technology, sound
design, digital cinematography, basic computer animation, studio versus
independent films and other interesting film concepts.
FVA 201. Elements of Screenwriting (3;AR)
Three hours
per week. Prerequisites: FVA 101. A basic immersion in and introduction to
screenwriting, which will cover idea development, outlining, treatments, story,
character, conflict, visual story-telling, setting, dialogue, emotional tone,
stage directions, professional format, the Five-Minute Short Film, and the
Workshop Process.
FVA 260. 3D Modeling and Design (4; F)
Six hours per
week. No pre-requisites. This introductory class teaches effective techniques
for designing, modeling, texture-mapping, lighting and rendering 3D models.
Students explore polygonal, NURBS and Subdivision Surfaces modeling techniques.
The instructor emphasizes efficiency, animatability and quad-based topology
throughout the class. Students learn appropriate methods of displaying their
models in print and video.)
FVA 261. Basic Computer Animation (4; S)
Six hours per
week. Prerequisite: None. This is a course in bringing characters to life
through proper animation mechanics. Starting from a simple bouncing ball and
proceeding to more complex characters, students will learn the principles of
animation by animating characters to solve animation problems. The class also
addresses the necessary modeling and rendering skills needed to turn their
animations into a working demo reel.
FVA 276. Special Topics in Film (var. 1-4, AR)
Three
hours per week. May be repeated for credit as content changes. Particular topics
or themes in film and its technology.
FVA 301. Advanced Screenwriting (3;AR)
Three hours per
week. Prerequisites: FVA 201. Advanced study and practicum in writing
feature-length screenplays, with emphasis on creating works for production,
sale, and/or publication.
FVA 361. Time Based Art (4;F)
Six hours per week.
Prerequisite: ART 251 or permission of instructor. This course examines the
effect time has within the digital domain and in the physical world. It places a
primary focus on the exploration of digital sound environments, 2-D animation,
broadcast graphics, and digital video. Instruction encompasses screen-delivered
computer graphics, as well as alternative output options.
FVA 362. Character Modeling and Animation (4;F)
Six hours
per week pre-requisites FVA 261. This course covers the fundamentals of
designing, modeling, texture mapping and articulating characters to be used in
an animation environment. Building on lessons learned in previous animation
classes, students learn how modeling and rigging relates to and facilitates 3D
Character animation. This class connects with and enhances Intermediate Computer
Animation.
FVA 365 Intermediate Computer Animation (4; F)
Six hours
per week. Prerequisite: FVA 261 Basic Computer Animation. Building on topics
from earlier classes, this class will explore mid-level animation projects
involving weight transfer, lip synch and action sequencing. Efficient
compositing, proper animation editing and appropriate project development
techniques will serve as core concepts for the class.
FVA 371: Cinematography Workshop (4;AR)
Three hours per
week. Prerequisites: FVA 101. A hands-on workshop and lab course in which
students learn video and film photography, including basic essentials such as
composition, cameras, lenses, film stock, lighting and related areas. The
workings of departments such as Technical Operations will be explored, as will
Electric, Grip, Gaffer and lab skills.
FVA 376. Special Topics in Film (var. 1-4, AR)
Three
hours per week. May be repeated for credit as content changes. Particular topics
or themes in film and its technology.
FVA 461. Advanced Computer Animation (4; S)
Six hours
per week. Prerequisite: FVA 362. May be repeated for credit up to nine hours.
This class covers complex issues in computer animation production. Students are
expected to be capable of seeking out knowledge. Students learn effects
animation and advanced rendering techniques coupled with preproduction and
pre-visualization methodologies. The goal is the production of a short 45 second
film while demonstrating the ability to independently plan and execute a longer
thesis next year.
FVA 471: Directing Workshop (4;AR)
Three hours per
week. Prerequisites: FVA 371. A survey workshop exploring the visualization of
script material through the directing of scenes and exercises. A special focus
will be working with the actor, along with interpreting the screenplay through
the camera and performance, directing the camera and the actor, and running the
set.
FVA 476. Special Topics in Film (var. 1-4, AR)
Three
hours per week. May be repeated for credit as content changes. Particular topics
or themes in film and its technology.
FVA 480WI. Senior Thesis (3;F)
Three hours per week.
Prerequisites: Senior classification in Film major, completion of at least 50
credit hours in the major, and review by faculty. This course involves intensive
development and enhancement of film studies concentration. Creation of cohesive
body of work in support of thesis; expansion and presentation of portfolio in
writing format or electronic reel.
FVA 481SI. Senior Thesis (3;S)
Three hours per week.
Prerequisites: Senior classification in Film Studies major, successful
completion of FVA 480, and successful completion of at least 50 credit hours in
major. Continuation of Senior Thesis, while focusing on development of public
speaking skills. Students learn to deliver skillful visual presentations, in a
range of speech formats, including demonstration, advocacy/sales, mock job
interview, etc.